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Ritchie Blackmore's Rainbow - Stranger In Us All (Expanded Edition CD - Imported)
Rainbow originally formed in 1975 when Ritchie Blackmore left Deep Purple to join forces with the band Elf, featuring Ronnie James Dio, to record debut album, âRitchie Blackmoreâs Rainbowâ. Named after Ritchieâs favourite hangout, the Rainbow Bar & Grill on Sunset Blvd, he steered Rainbow through seven studio LPs, plus a double live LP, with albums fronted by Joe Lynn Turner, Graham Bonnet and the aforementioned Ronnie James Dio, and at times featured such respected rock luminaries as drummer Cozy Powell, bass guitarist and producer Roger Glover and keyboard player Don Airey.
Rainbow split in 1984 when Ritchie joined Deep Purpleâs Mk2 reunion, and a further tumultuous decade. Ritchie quit Purple once more following a 1993 Helsinki gig, this time for good. Shortly after, it was announced that the guitarist was reforming Rainbow. Rumours abounded regarding who might feature in the line-up, but the new record would feature a band of relative unknowns.
The resulting record, âStranger In Us Allâ, was issued under the name Ritchie Blackmoreâs Rainbow in August 1995, with a band featuring Paul Morris on keyboards, Greg Smith on bass, John OâReilly on drums and Blackmoreâs Nightâs Candice Night on background vocals. Fronted by Doogie White, the singer was an inspired choice; a huge fan of Ritchieâs career in both Purple and Rainbow, the singer formed a strong writing partnership with the guitarist.
Revisiting The Yardbirdsâ âStill Iâm Sadâ, which had been recorded for Rainbowâs debut, 20 years earlier, Ritchieâs classical flights of fancy were able to truly fly on his arrangement of Edvard Griegâs âHall Of The Mountain Kingâ. âWolf To the Moonâ, âHunting Humans (Insatiable)â and âArielâ were all worthy additions to the Rainbow catalogue. When it came to playing live, songs from both Rainbow and Purple were revisited, and we are lucky enough to have a unique live recording from a 1995 Swedish concert of âThe Temple Of The Kingâ, a song that originally appeared on the bandâs first record, in 1975. Also featured are a âradio editâ of the single âArialâ, plus the song âEmotional Crimeâ that has previously only been released in Japan.
The extensive liner notes also feature a personal account from singer Doogie White, plus plenty of artwork and memorabilia from Doogieâs own Rainbow collection.
Rainbow split in 1984 when Ritchie joined Deep Purpleâs Mk2 reunion, and a further tumultuous decade. Ritchie quit Purple once more following a 1993 Helsinki gig, this time for good. Shortly after, it was announced that the guitarist was reforming Rainbow. Rumours abounded regarding who might feature in the line-up, but the new record would feature a band of relative unknowns.
The resulting record, âStranger In Us Allâ, was issued under the name Ritchie Blackmoreâs Rainbow in August 1995, with a band featuring Paul Morris on keyboards, Greg Smith on bass, John OâReilly on drums and Blackmoreâs Nightâs Candice Night on background vocals. Fronted by Doogie White, the singer was an inspired choice; a huge fan of Ritchieâs career in both Purple and Rainbow, the singer formed a strong writing partnership with the guitarist.
Revisiting The Yardbirdsâ âStill Iâm Sadâ, which had been recorded for Rainbowâs debut, 20 years earlier, Ritchieâs classical flights of fancy were able to truly fly on his arrangement of Edvard Griegâs âHall Of The Mountain Kingâ. âWolf To the Moonâ, âHunting Humans (Insatiable)â and âArielâ were all worthy additions to the Rainbow catalogue. When it came to playing live, songs from both Rainbow and Purple were revisited, and we are lucky enough to have a unique live recording from a 1995 Swedish concert of âThe Temple Of The Kingâ, a song that originally appeared on the bandâs first record, in 1975. Also featured are a âradio editâ of the single âArialâ, plus the song âEmotional Crimeâ that has previously only been released in Japan.
The extensive liner notes also feature a personal account from singer Doogie White, plus plenty of artwork and memorabilia from Doogieâs own Rainbow collection.
$5.59
Original: $15.98
-65%Ritchie Blackmore's Rainbow - Stranger In Us All (Expanded Edition CD - Imported)â
$15.98
$5.59Ritchie Blackmore's Rainbow - Stranger In Us All (Expanded Edition CD - Imported)
Rainbow originally formed in 1975 when Ritchie Blackmore left Deep Purple to join forces with the band Elf, featuring Ronnie James Dio, to record debut album, âRitchie Blackmoreâs Rainbowâ. Named after Ritchieâs favourite hangout, the Rainbow Bar & Grill on Sunset Blvd, he steered Rainbow through seven studio LPs, plus a double live LP, with albums fronted by Joe Lynn Turner, Graham Bonnet and the aforementioned Ronnie James Dio, and at times featured such respected rock luminaries as drummer Cozy Powell, bass guitarist and producer Roger Glover and keyboard player Don Airey.
Rainbow split in 1984 when Ritchie joined Deep Purpleâs Mk2 reunion, and a further tumultuous decade. Ritchie quit Purple once more following a 1993 Helsinki gig, this time for good. Shortly after, it was announced that the guitarist was reforming Rainbow. Rumours abounded regarding who might feature in the line-up, but the new record would feature a band of relative unknowns.
The resulting record, âStranger In Us Allâ, was issued under the name Ritchie Blackmoreâs Rainbow in August 1995, with a band featuring Paul Morris on keyboards, Greg Smith on bass, John OâReilly on drums and Blackmoreâs Nightâs Candice Night on background vocals. Fronted by Doogie White, the singer was an inspired choice; a huge fan of Ritchieâs career in both Purple and Rainbow, the singer formed a strong writing partnership with the guitarist.
Revisiting The Yardbirdsâ âStill Iâm Sadâ, which had been recorded for Rainbowâs debut, 20 years earlier, Ritchieâs classical flights of fancy were able to truly fly on his arrangement of Edvard Griegâs âHall Of The Mountain Kingâ. âWolf To the Moonâ, âHunting Humans (Insatiable)â and âArielâ were all worthy additions to the Rainbow catalogue. When it came to playing live, songs from both Rainbow and Purple were revisited, and we are lucky enough to have a unique live recording from a 1995 Swedish concert of âThe Temple Of The Kingâ, a song that originally appeared on the bandâs first record, in 1975. Also featured are a âradio editâ of the single âArialâ, plus the song âEmotional Crimeâ that has previously only been released in Japan.
The extensive liner notes also feature a personal account from singer Doogie White, plus plenty of artwork and memorabilia from Doogieâs own Rainbow collection.
Rainbow split in 1984 when Ritchie joined Deep Purpleâs Mk2 reunion, and a further tumultuous decade. Ritchie quit Purple once more following a 1993 Helsinki gig, this time for good. Shortly after, it was announced that the guitarist was reforming Rainbow. Rumours abounded regarding who might feature in the line-up, but the new record would feature a band of relative unknowns.
The resulting record, âStranger In Us Allâ, was issued under the name Ritchie Blackmoreâs Rainbow in August 1995, with a band featuring Paul Morris on keyboards, Greg Smith on bass, John OâReilly on drums and Blackmoreâs Nightâs Candice Night on background vocals. Fronted by Doogie White, the singer was an inspired choice; a huge fan of Ritchieâs career in both Purple and Rainbow, the singer formed a strong writing partnership with the guitarist.
Revisiting The Yardbirdsâ âStill Iâm Sadâ, which had been recorded for Rainbowâs debut, 20 years earlier, Ritchieâs classical flights of fancy were able to truly fly on his arrangement of Edvard Griegâs âHall Of The Mountain Kingâ. âWolf To the Moonâ, âHunting Humans (Insatiable)â and âArielâ were all worthy additions to the Rainbow catalogue. When it came to playing live, songs from both Rainbow and Purple were revisited, and we are lucky enough to have a unique live recording from a 1995 Swedish concert of âThe Temple Of The Kingâ, a song that originally appeared on the bandâs first record, in 1975. Also featured are a âradio editâ of the single âArialâ, plus the song âEmotional Crimeâ that has previously only been released in Japan.
The extensive liner notes also feature a personal account from singer Doogie White, plus plenty of artwork and memorabilia from Doogieâs own Rainbow collection.
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Rainbow originally formed in 1975 when Ritchie Blackmore left Deep Purple to join forces with the band Elf, featuring Ronnie James Dio, to record debut album, âRitchie Blackmoreâs Rainbowâ. Named after Ritchieâs favourite hangout, the Rainbow Bar & Grill on Sunset Blvd, he steered Rainbow through seven studio LPs, plus a double live LP, with albums fronted by Joe Lynn Turner, Graham Bonnet and the aforementioned Ronnie James Dio, and at times featured such respected rock luminaries as drummer Cozy Powell, bass guitarist and producer Roger Glover and keyboard player Don Airey.
Rainbow split in 1984 when Ritchie joined Deep Purpleâs Mk2 reunion, and a further tumultuous decade. Ritchie quit Purple once more following a 1993 Helsinki gig, this time for good. Shortly after, it was announced that the guitarist was reforming Rainbow. Rumours abounded regarding who might feature in the line-up, but the new record would feature a band of relative unknowns.
The resulting record, âStranger In Us Allâ, was issued under the name Ritchie Blackmoreâs Rainbow in August 1995, with a band featuring Paul Morris on keyboards, Greg Smith on bass, John OâReilly on drums and Blackmoreâs Nightâs Candice Night on background vocals. Fronted by Doogie White, the singer was an inspired choice; a huge fan of Ritchieâs career in both Purple and Rainbow, the singer formed a strong writing partnership with the guitarist.
Revisiting The Yardbirdsâ âStill Iâm Sadâ, which had been recorded for Rainbowâs debut, 20 years earlier, Ritchieâs classical flights of fancy were able to truly fly on his arrangement of Edvard Griegâs âHall Of The Mountain Kingâ. âWolf To the Moonâ, âHunting Humans (Insatiable)â and âArielâ were all worthy additions to the Rainbow catalogue. When it came to playing live, songs from both Rainbow and Purple were revisited, and we are lucky enough to have a unique live recording from a 1995 Swedish concert of âThe Temple Of The Kingâ, a song that originally appeared on the bandâs first record, in 1975. Also featured are a âradio editâ of the single âArialâ, plus the song âEmotional Crimeâ that has previously only been released in Japan.
The extensive liner notes also feature a personal account from singer Doogie White, plus plenty of artwork and memorabilia from Doogieâs own Rainbow collection.
Rainbow split in 1984 when Ritchie joined Deep Purpleâs Mk2 reunion, and a further tumultuous decade. Ritchie quit Purple once more following a 1993 Helsinki gig, this time for good. Shortly after, it was announced that the guitarist was reforming Rainbow. Rumours abounded regarding who might feature in the line-up, but the new record would feature a band of relative unknowns.
The resulting record, âStranger In Us Allâ, was issued under the name Ritchie Blackmoreâs Rainbow in August 1995, with a band featuring Paul Morris on keyboards, Greg Smith on bass, John OâReilly on drums and Blackmoreâs Nightâs Candice Night on background vocals. Fronted by Doogie White, the singer was an inspired choice; a huge fan of Ritchieâs career in both Purple and Rainbow, the singer formed a strong writing partnership with the guitarist.
Revisiting The Yardbirdsâ âStill Iâm Sadâ, which had been recorded for Rainbowâs debut, 20 years earlier, Ritchieâs classical flights of fancy were able to truly fly on his arrangement of Edvard Griegâs âHall Of The Mountain Kingâ. âWolf To the Moonâ, âHunting Humans (Insatiable)â and âArielâ were all worthy additions to the Rainbow catalogue. When it came to playing live, songs from both Rainbow and Purple were revisited, and we are lucky enough to have a unique live recording from a 1995 Swedish concert of âThe Temple Of The Kingâ, a song that originally appeared on the bandâs first record, in 1975. Also featured are a âradio editâ of the single âArialâ, plus the song âEmotional Crimeâ that has previously only been released in Japan.
The extensive liner notes also feature a personal account from singer Doogie White, plus plenty of artwork and memorabilia from Doogieâs own Rainbow collection.











